JEAN-ANTOINE DE BAIF (1532-1589)
SETS JEAN ANTOINE DE BAIF. A The Duke of Alencon.
In Paris, for Lucas Breyer, 1573 [ie 1572].
1 volume in-8 (166 x 110 mm - Height of margins: 163 mm) of 4 unnumbered pages including the title list Chapters on the back and the Epistle to the Duc d'Alencon, 232 sheets valued (the last layer side 230, as a result of an error in figures that point to the last pages).
full morocco binding chocolate, spine richly decorated with small golden horseshoes, dishes decorated with a large pattern composed small golden horseshoes with central umbilicus, triple-net gilded frame plates, double gilt fillet on the cuts, roulette gilded interior trim plates, small comb guard, gilt edges (binding the mid-nineteenth century signed CAPE). Copy carefully set at red ink. Very well preserved copy, very fresh, large margins kept. Bite or without spots. The binding is very cool with minute traces of friction barely visible.
EDITION RARE AND SOUGHT.
"He [me] seems obvious that the poet began by giving a new edition of his Love and volume of the games, with design plans for a collected edition. We remember that Ronsard had already conducted a this ambition in 1560 (in 1573, it was in its fourth edition collective!), and one can understand that his former disciple and intimate is wanted, too, to align several volumes on the shelves of posterity. The Loves and ETTER, sold separately by Breyer before printing eovering in rhyme, sometimes find themselves with pretty vellum bindings and gilt morocco. " (Jean-Paul Barbier, My Library poetic Part III , Those of Pleiade, 60).
This beautiful volume printed in italics to the verse and font for prose, includes: XIX Eclogues [pastoral works where the characters have and use several musical instruments] - Antigone [First adaptation of the famous tragedy of Sophocles] - The Brave [represented by the single comedy writer] - The Eunuch [comedy ever shown] - IX estimate of the gods took Lucian and dedicated to the king and queen of Navarre].
was clumsily added at the time an I next to the composter and end date of the title, but 1572 is good to read. He found copies of two kinds. Copy of first issue with pagination errors at the end. (Catalog No. 51 from the library Lardanchet (1958), No. 4334.
The publication in 1572 of ETTER Ian Anthony of Baif is essential in the editorial process of all the works of the author. These are several books that appeared separately at the bookstore while Lucas Breyer.
"That's audacity Baif will be remembered as his spirit always innovative: he tried all kinds with a boldness that is matched only by its taste formal invention, and his concern for variety. He leaves an immense work, certainly imperfect and poorly proofread, but teeming with poetic discoveries, one of the richest of his age. " (John Vines, New Dictionary of Authors, I, 216).
"Baif founded in 1570 in his house in the Faubourg Saint-Marceau, the Academy of poetry and music whose influence was very important. It is within this context that publishes the New Year's gift of French poetry in verse measured (1574), his other works in verse measured, a complete hymnal, a psalter incomplete and several books of songs, remained inédites.Fascinée by ancient Greco-Roman, Renaissance Europe has seen many attempts to introduce quantitative metrics (based on length, weight or syllables) in languages that were not always well equipped to receive it. At this project Baif devoted a considerable part of his creative energy up to create a graphic system that allows reporting of both the phonetic and the metric verse. It should not be considered as a "reformer" of spelling the same way that Louis Meigret, Jacques Peletier du Mans and Pierre de la Ramee: He never, indeed, sought to change the traditional uses graphics , reserving its own spelling his mesurés.Considérés to as "clumsy" by critics who most often do not take the time to dive, the measured towards "classical" of Baif, especially the Psalms and songs, although their distribution is kept confidential, nevertheless constitute a literary fact as important as unknown. Operator ingenious objections amount that remained in French Renaissance, Baif moved, with his measured to a highly developed system of versification which, if, like any art form, not fully free of artifice, is not nearly as arbitrary we have thought. In addition, set to music by composers such as Claude Le Jeune and Jacques Mauduit, worms measured Baif had a major influence on the way to the end of the seventeenth century, have organized the reports of the music with the text. " (From the Dictionary of History Bouillet - Source Wikipedia).
Provenance : No mention of belonging.
References: Small, Bibliography of major French editions, 1888, p. 87. TCHEMERZINE, Original editions and rare , I, 265. Jean-Paul Barbier, My Library poetic Part III of the Pleiade Those , 60. Rahir, Library of the lover , 303.
MAGNIFICENT COPY FULLY PREPARED BY CAP É MIDDLE OF THE NINETEENTH CENTURY.
SOLD
SETS JEAN ANTOINE DE BAIF. A The Duke of Alencon.
In Paris, for Lucas Breyer, 1573 [ie 1572].
1 volume in-8 (166 x 110 mm - Height of margins: 163 mm) of 4 unnumbered pages including the title list Chapters on the back and the Epistle to the Duc d'Alencon, 232 sheets valued (the last layer side 230, as a result of an error in figures that point to the last pages).
full morocco binding chocolate, spine richly decorated with small golden horseshoes, dishes decorated with a large pattern composed small golden horseshoes with central umbilicus, triple-net gilded frame plates, double gilt fillet on the cuts, roulette gilded interior trim plates, small comb guard, gilt edges (binding the mid-nineteenth century signed CAPE). Copy carefully set at red ink. Very well preserved copy, very fresh, large margins kept. Bite or without spots. The binding is very cool with minute traces of friction barely visible.
EDITION RARE AND SOUGHT.
"He [me] seems obvious that the poet began by giving a new edition of his Love and volume of the games, with design plans for a collected edition. We remember that Ronsard had already conducted a this ambition in 1560 (in 1573, it was in its fourth edition collective!), and one can understand that his former disciple and intimate is wanted, too, to align several volumes on the shelves of posterity. The Loves and ETTER, sold separately by Breyer before printing eovering in rhyme, sometimes find themselves with pretty vellum bindings and gilt morocco. " (Jean-Paul Barbier, My Library poetic Part III , Those of Pleiade, 60).
This beautiful volume printed in italics to the verse and font for prose, includes: XIX Eclogues [pastoral works where the characters have and use several musical instruments] - Antigone [First adaptation of the famous tragedy of Sophocles] - The Brave [represented by the single comedy writer] - The Eunuch [comedy ever shown] - IX estimate of the gods took Lucian and dedicated to the king and queen of Navarre].
was clumsily added at the time an I next to the composter and end date of the title, but 1572 is good to read. He found copies of two kinds. Copy of first issue with pagination errors at the end. (Catalog No. 51 from the library Lardanchet (1958), No. 4334.
The publication in 1572 of ETTER Ian Anthony of Baif is essential in the editorial process of all the works of the author. These are several books that appeared separately at the bookstore while Lucas Breyer.
"That's audacity Baif will be remembered as his spirit always innovative: he tried all kinds with a boldness that is matched only by its taste formal invention, and his concern for variety. He leaves an immense work, certainly imperfect and poorly proofread, but teeming with poetic discoveries, one of the richest of his age. " (John Vines, New Dictionary of Authors, I, 216).
"Baif founded in 1570 in his house in the Faubourg Saint-Marceau, the Academy of poetry and music whose influence was very important. It is within this context that publishes the New Year's gift of French poetry in verse measured (1574), his other works in verse measured, a complete hymnal, a psalter incomplete and several books of songs, remained inédites.Fascinée by ancient Greco-Roman, Renaissance Europe has seen many attempts to introduce quantitative metrics (based on length, weight or syllables) in languages that were not always well equipped to receive it. At this project Baif devoted a considerable part of his creative energy up to create a graphic system that allows reporting of both the phonetic and the metric verse. It should not be considered as a "reformer" of spelling the same way that Louis Meigret, Jacques Peletier du Mans and Pierre de la Ramee: He never, indeed, sought to change the traditional uses graphics , reserving its own spelling his mesurés.Considérés to as "clumsy" by critics who most often do not take the time to dive, the measured towards "classical" of Baif, especially the Psalms and songs, although their distribution is kept confidential, nevertheless constitute a literary fact as important as unknown. Operator ingenious objections amount that remained in French Renaissance, Baif moved, with his measured to a highly developed system of versification which, if, like any art form, not fully free of artifice, is not nearly as arbitrary we have thought. In addition, set to music by composers such as Claude Le Jeune and Jacques Mauduit, worms measured Baif had a major influence on the way to the end of the seventeenth century, have organized the reports of the music with the text. " (From the Dictionary of History Bouillet - Source Wikipedia).
Provenance : No mention of belonging.
References: Small, Bibliography of major French editions, 1888, p. 87. TCHEMERZINE, Original editions and rare , I, 265. Jean-Paul Barbier, My Library poetic Part III of the Pleiade Those , 60. Rahir, Library of the lover , 303.
MAGNIFICENT COPY FULLY PREPARED BY CAP É MIDDLE OF THE NINETEENTH CENTURY.
SOLD
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