Prosper Merimee - HENRIOT , illustrator (original watercolors unpublished).
CARMEN.
Paris, Calmann-Levy publisher, 1884. (Paris, printing of the company Serial P. Mouillot) .
1 volume in-8 square (18 x 16.5 cm) of (4) -147 pages.
full morocco binding Jansenist midnight blue liners lavaliere morocco mosaic blue and red morocco, richly gilt with small irons rock, various wheels, guards moire blue, golden head, uncut for the other tranches. Cold nets in the boxes back, figure and vintage golden tail back, and resumed in gilt figure in the lining of the dishes. Net framework for cold dishes, double gilt fillet cuts (contemporary binding signed and R. PETIT J. LECOMTE ). Pin-printed covers were not kept. Very nice copy, very fresh, spine lightly faded.
ONE OF 50 COPIES ON PAPER FROM JAPAN (No. 2), WELL FULL SUITE OF 8 etchings and engraved by ARCOS AFTER Nargeot ALSO ON PAPER FROM JAPAN (etchings PURE BEFORE THE LETTER). Tests of this series were normally reserved for the draw to 225 copies on vellum paper mills in the tank of the Marais.
RICH SINGLE COPY OF MORE THAN 160 COMPOSITIO NS AND ORIGINAL UNPUBLISHED BY HENRIOT (PIF), 142 COMPOSITIO NS IN COLOR, THE OTHER IN THE BLACK BIRD. Many compositions OCCUPY ANY PLACE AND MARGINS ARE SO REAL LIVE SMALL TABLES.
* Henriot has fully covered the margins of this copy of over 160 original compositions in color and black line, depicting the theme of Carmen de Prosper Merimee, faithfully following the scenes of the text for most. To bring together single copy of the municipal library of Rouen an autograph manuscript illustrated by 296 original watercolors of Henriot (on Guy de Maupassant, Boule de Suif, 1926 - Acquisition 2004). Here, the artist's work is dated 1886, he was only 29 years old. It seems Henriot has illustrated so many books for bibliophiles in the late nineteenth century in making real artist books.
The bibliophile is found that the number on the binding of this volume has been identified to date.
Binding lined and richly decorated, the many original compositions in color, make this volume a gem bibliophile.
BEAUTIFUL COPY OF THIS BOOK ILLUSTRATED BY MASTERFULLY HENRIOT.
PART ONE. RARE BIBLIOPHILE.
SOLD
(*) Henry Maigrot said Henriot, was born in Toulouse in 1857. He studied law at last he abandoned to devote himself entirely to his talent as a cartoonist. He delivers many cartoons for the press at the time. He entered the Charivari at the urging of Pierre Veron. In 1890 he became director of the Charivari and then collaborated with the illustration. He died in 1933 at Nesle-la-Vallée (Val d'Oise). His work is rich and varied. "(...) Its production in political matters, very moderate, trying never to be nasty, he tries to do every week to find a word as fair as possible about the events that pass, and all that clever mixture of various flows effortlessly sketch of a fantasy expert, easy, surprisingly flexible. It is mainly a "actualist" very simple, fleeing the advertising, living with him very quietly, surrounded by books and prints he loves. The man who sees everything, all the sails up, the race to the things of the day, time is époumonnante, returned in the bourgeois pleasures of a peaceful home, his daily work done once the brain has been drained a series of illustrated stories of attraction momentary thing, read the newspaper while he rests in the care of expensive books, engravings, precious in the midst of all that is left finally ... "(Emile Bayard, caricature and cartoonists, Paris, Delagrave, nd). The municipal library of Rouen has shown an autograph from 296 original watercolors of Henriot (on Guy de Maupassant, Boule de Suif, 1926 - Acquisition 2004).
CARMEN.
Paris, Calmann-Levy publisher, 1884. (Paris, printing of the company Serial P. Mouillot) .
1 volume in-8 square (18 x 16.5 cm) of (4) -147 pages.
full morocco binding Jansenist midnight blue liners lavaliere morocco mosaic blue and red morocco, richly gilt with small irons rock, various wheels, guards moire blue, golden head, uncut for the other tranches. Cold nets in the boxes back, figure and vintage golden tail back, and resumed in gilt figure in the lining of the dishes. Net framework for cold dishes, double gilt fillet cuts (contemporary binding signed and R. PETIT J. LECOMTE ). Pin-printed covers were not kept. Very nice copy, very fresh, spine lightly faded.
ONE OF 50 COPIES ON PAPER FROM JAPAN (No. 2), WELL FULL SUITE OF 8 etchings and engraved by ARCOS AFTER Nargeot ALSO ON PAPER FROM JAPAN (etchings PURE BEFORE THE LETTER). Tests of this series were normally reserved for the draw to 225 copies on vellum paper mills in the tank of the Marais.
RICH SINGLE COPY OF MORE THAN 160 COMPOSITIO NS AND ORIGINAL UNPUBLISHED BY HENRIOT (PIF), 142 COMPOSITIO NS IN COLOR, THE OTHER IN THE BLACK BIRD. Many compositions OCCUPY ANY PLACE AND MARGINS ARE SO REAL LIVE SMALL TABLES.
* Henriot has fully covered the margins of this copy of over 160 original compositions in color and black line, depicting the theme of Carmen de Prosper Merimee, faithfully following the scenes of the text for most. To bring together single copy of the municipal library of Rouen an autograph manuscript illustrated by 296 original watercolors of Henriot (on Guy de Maupassant, Boule de Suif, 1926 - Acquisition 2004). Here, the artist's work is dated 1886, he was only 29 years old. It seems Henriot has illustrated so many books for bibliophiles in the late nineteenth century in making real artist books.
The bibliophile is found that the number on the binding of this volume has been identified to date.
Binding lined and richly decorated, the many original compositions in color, make this volume a gem bibliophile.
BEAUTIFUL COPY OF THIS BOOK ILLUSTRATED BY MASTERFULLY HENRIOT.
PART ONE. RARE BIBLIOPHILE.
SOLD
(*) Henry Maigrot said Henriot, was born in Toulouse in 1857. He studied law at last he abandoned to devote himself entirely to his talent as a cartoonist. He delivers many cartoons for the press at the time. He entered the Charivari at the urging of Pierre Veron. In 1890 he became director of the Charivari and then collaborated with the illustration. He died in 1933 at Nesle-la-Vallée (Val d'Oise). His work is rich and varied. "(...) Its production in political matters, very moderate, trying never to be nasty, he tries to do every week to find a word as fair as possible about the events that pass, and all that clever mixture of various flows effortlessly sketch of a fantasy expert, easy, surprisingly flexible. It is mainly a "actualist" very simple, fleeing the advertising, living with him very quietly, surrounded by books and prints he loves. The man who sees everything, all the sails up, the race to the things of the day, time is époumonnante, returned in the bourgeois pleasures of a peaceful home, his daily work done once the brain has been drained a series of illustrated stories of attraction momentary thing, read the newspaper while he rests in the care of expensive books, engravings, precious in the midst of all that is left finally ... "(Emile Bayard, caricature and cartoonists, Paris, Delagrave, nd). The municipal library of Rouen has shown an autograph from 296 original watercolors of Henriot (on Guy de Maupassant, Boule de Suif, 1926 - Acquisition 2004).
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