Wednesday, February 23, 2011

Painful Menstruation More Condition_symptoms

Emblems Alciat illustrated with 211 woodcuts cutest (1583). Jolie morocco binding (to 1800).



André ALCIAT (Andrea Alciato)

OMNIA ANDREAE ALCIATI V. C. EMBLEMATA : cum commentariis, quibus emblematum omnium aperta origine, mens authoris explicatur, & obscura omnia bubiaque illustrantur. Per Claudium Minoem divionensem. Postrema hac editione in meliore formam redacta, & multis mendis, summa cum diligentia excusa.

Parisiis, Apud Hieronymum de Marnef, & Vuduam Gulielmi Cavellat sub Pelicano monte D. Hilarii. 1583. [Charles Roger pour : Paris, Jérôme de Marnef & la veuve de Guillaume Cavellat].

1 fort volume petit in-8 (17 x 12 cm) of 8 unnumbered pages including the title in a nice frame engraved on wood, 717 pages Figures (colophon on the reverse of last leaf table "Parisiis, Carolus excudebat Rogerius Anno Domini 1583. Octavo Cal. Februarii. ") and 1 sheet for the brand of printer (Griffin brand).

full red morocco binding, smooth spine with small rollers and irons, flat boxes of the Greek roulette, roulette on turns golden, liners and guards of marbled paper, marbled edges (binding old post, executed around 1800) . Some minor shadows binding also perfectly preserved. Hinges a little loose, set firmly attached, notebooks perfectly aligned. Fresh interior. Few pages of the table at the end trimmed short. Beautiful paper almost no foxing. Printing in roman and italic. Latin text, passages in Greek. Erasures on the old title.


NEW ILLUSTRATED EDITION OF 211 VERY PRETTY IN WOOD ENGRAVED BORDER [50 x 36 mm without frames].

The Epistle that opens the volume is dated April 13, 1580. Then there is the introductory pieces by Nicolas Goulu, Estienne Pasquier, Germain Audebert, Nicolas Quatersolidus, followed by a Claude Mignault epistle to the reader (Dijon).


"Alciat Andre, a famous jurist, born in Milan in 1492, died Pavia in 1550. Mignaut Claude, a law professor, born in Talant near Dijon, died in Paris around 1603, in an age very advanced. He followed the practice adopted by scholars of his day, dressing her name in Greek: From Mignaut he made Minos. His comments on the emblems Alciat were highly esteemed. Published for the first time in 1574 They were often reprinted, one can count fourteen editions in twenty-five years the sixteenth century. That of 1583, Paris, Marnef is very beautiful, and the figures on which it is decorated with wood, are a good artist. This is one of the revised edition by the author, from 1580. Dedication to Augustin de Thou, Jean de La Guesle and Barnabas Brisson, Etampes is dated April 15, 1580, Y Note to the reader is of the same year. This opinion contains some curious details on Alciat commentators and writers who published in the sixteenth century, books of emblems. The introductory parts contain also a scholar. Discusses the origin of symbols, emblems and currencies, as well as praise from Mignaut and his work, Greek and Latin verses, signed by Nic. Gulonic, Regius Professor of Greek, P. Pineau de Vendome; East. Pasquier; Germain Audebert, Orleans, and Nic. Quatresols. The emblems are discussed followed by all Greek passages that are in Alciat, literally translated by Nic. Gulonic; a table methodically emblems, a homage to the work of Alciat delivered by Mignaut Royal College of Burgundy in Paris in 1576 and finally a table of things and words contained in these comments. Bookstore is the trademark on the title, and that of the printer on the last page. " (from the Bulletin du Bibliophile, No. 529 - October 1856 - ex. Connected 30 en tan calf side. Techener the bookstore).

"This edition, one of the most complete, is enriched with figures engraved on wood for each emblem, very thin and very pretty." (Techener, Bibliographic Description of selected books of all kinds, vol. 1, No. 12688).

At quick glance shows that the vast majority of those pretty woodcuts was very well printed, they are very clear, well-inked, in pretty picture frames made from four sides settled. The woods are not worn. They remained anonymous but very well drawn (note that 3 of them wear as a mark of Double Cross of Lorraine - the double cross of Lorraine is the kind of engraver Pierre Lorraine Woeriot). Found at the end of the emblems of trees.

References: Renouard, printers, Issue Cavellat Marnef-Cavellat, No. 408, A-609 Adams, Brown, P. 108; Descriptive Catalogue of the French editions, and other neo-Latin, 1501, No. 19; Sears, A Collection Of The Emblem Books of Andrea Alciati, P. 32.


BEL morocco COPY OF THIS VERY PRETTY OLD ILLUSTRATED EDITION OF THE EMBLEMS OF Alciati.

Price: 3,000 euros

Tuesday, February 22, 2011

Racquel Darrian Feature Dancing

The Spirit of the League of Anquetil (1771) related to weapons of Lieutenant of Police of the city of Paris. Superb specimen perfectly preserved.



Louis-Pierre ANQUETIL

THE SPIRIT OF THE LEAGUE AND POLITICAL HISTORY OF DISORDERS OF FRANCE DURING THE CENTURIES XVI & XVII. By Mr. Anquetil, canon regular of the Congregation of France, representing the Royal Academy of Inscriptions & Belles-Lettres, etc.. Second edition, revised & expanded.

In Paris, at Delalain, 1771.

three volumes in 12 (17 x 10.5 cm) LXXXVII-329, (4) -341 and (4) -392 pages.

full calf marbled calf binding, glossy smooth decorated back Small gold chains, gold tail coat back of parts, as red morocco labels, liners and marbled paper guards, red edges (contemporary binding). Copy in excellent condition, very fresh in terms of both binding and inside.


SECOND EDITION.

This book opens with a long and interesting preface as well as comments on the works cited in the Spirit of the league, and very complete bibliography on the subject. It includes descriptions of 87 books on ancient history of political turmoil of that period. This story begins with the death of Henry II, the reigns of Francis II, Charles IX, Henri III, Henri IV and the year 1599.

Spirit League is undoubtedly the best work of Anquetil, he had appeared for the first time four years ago in 1767. This second edition is better because it has been corrected by the P. Mercier in many places.

References: Brunet I, 302; Hoefer II, 731; QuÚrard I, 66.

Source: Copy linked to small arms of the lieutenant of police in the city of Paris, Jean-Charles Pierre Black (OHR variant of iron No. 1 Plate No. 270, difference in the crown and ornaments). "Gold chevron azure in chief two mullets and in base a head of More sand, twisted silver." Jean-Pierre Charles Black, born November 17, 1732, became advisor to the Chatelet in 1752, then Lieutenant especially after his father, master of requests, State Councilor in 1775, then Lieutenant General of Police in Paris June 10, 1776 . He brought in the administration of this city much improved and remained in office until 11 August 1785 he was appointed in April 1784 warning of the Library of King and President of the Finance Committee. In 1790 he emigrated to Switzerland and Austria, he returned to France in 1802 and died November 17, 1807. Irons decorating books this amateur show significant differences either in the external ornaments or furniture in the shield. The weapons described here are those of The Black Cindré, family to which he belonged by his mother. See Guigard, T. 3, p. 309-311. From uncommon.


BEAUTIFUL COPY IN MINT CONDITION FOR AGE.

Price: 1,500 euros

Sunday, February 20, 2011

Tape Worm More Condition_symptoms

The famous trial of the case and Goezman Beaumarchais (1775). Fine copy in fine condition of the Memoirs of time.



Pierre-Augustin Caron de Beaumarchais

BRIEFS Mr. Caron de Beaumarchais, Esquire, Secretary to the King's advisor, General Lieten hunts captaincy of the Bailiwick & Varenne du Louvre, big game hunting & falconry France, accused of corruption against Mr. Goezman judge, adviser to the large room at the Parliament of Paris, accused of bribery & false. Ms. Goezman, and the Sieur Bertrand accused. Sieur Marin, gazetteer of France, and the Sieur Darnaud-Baculard, Counsellor, called as witnesses.

In Paris, sn, 1775.

in-12 of 499 pages.


TRACKING:

MEMORY FOR STONE-Augustin Caron de Beaumarchais.

In Paris, sn, 1775.

in-12 of 143 pages which are encrypted first XIV in roman. 2 tables leaflets.

2 parts in 1 volume in-12 (17 x 10 cm). Binding

full sheepskin marbled fawn at the time, back tooled, title, red edges (contemporary binding). Volume in excellent binding and freshness remarkable interior.


NEW EDITION SMALL IN SIZE.

The first part of the first volume contains the Memoirs to see this famous court case. With the second part, which has its own special title and pagination, this volume contains the entirety of what has been published at the time. Beaumarchais defends himself against accusations of corruption made against him by Councillor Goezman. This character was the judge in the case between the playwright to the Count de la Blache, heir to the famous Paris-Duverney financial, for a disputed debt of 15,000 pounds. These memoirs were published separately in the first format in-4. This sensational trial strongly influence the literary career since his Berbier Beaumarchais in Seville was not representation by King Louis XV himself, who had just read these memoirs (1774). The case, which fascinated the public and follows its course through the memoirs, ends in arrest of 26 February 1774. The Parliament of Paris condemned Beaumarchais and the lady at Goetzman reprimand and a fine; Gabrielle Julie is also ordered to return the famous fifteen pounds, to be used in bread prisoners of the Conciergerie. The same decision ordered that the memories of Beaumarchais are slashed and burned by the executioner justice as those of Louis Valentin Goetzmann deleted. Goetzman, taken out of Court, resigned from office in 1774 and Beaumarchais, stripped of his civil rights, then sought to regain favor with the Court.

BEL COPY IN NICE VINTAGE CONDITION.

Price: 400 euros

Thursday, February 17, 2011

Butal-apap-325-caff Tab

Tower 20 (Nakka)

Nakka rapper is a tale scenes of life with humor and an impeccable flow, noticed on numerous compilations, he has released his first solo album "The world is my country."




Send
I have not paid rent since February, but hey I have better luck in March
Honestly people grumble because it is rare that the elevator works
In the time I pissed in it, ok I admit
trustest But at sixteen and it stops at fifteen and a half Guardian
what is this madness?
Well looks good, your payroll j'la hold in your hands and you know what? I'll
turns Y'a des people who were throwing TVs out the window, must certainly be cracked
But such was the delusion You know the guy
humdrum little hugs
It sucks in families, stepfathers picolent, kids toast
resembles that of 10 Liz Taylor
An old woman who cheats on her husband with ...
short list is long
Therefore I do not care about their life together
In the tower there are plenty of couples torn he must quickly Sewing
Look y 'a fight, there's between you
In turn your girl cheating on you, there's only you who know


Chorus is the tower 20, this is where I come
is where the elevator stinks, listen carefully
is the tower 20 is where I come
is where it's OK Also, listen carefully
is the tower 20 is where I come
y 'is where people with dogs, affecting nothing
is the tower 20, this is where I am is where y '
full of stories, plays well

Look where I live, it's not ok But Auschwitz
auch' soon be another qu'j'trouve Way
son thing gonna break my bailiff said it c'qu'a
Him I dunno, I can not transfer in the winter but tell him that he showed up here
fissa, to torture him I peed on the stairs
Thinking that the smell would kill him who knows
And it has put the chip in the ear as they gave you not take all that you do not
They sleep not quiet
They cut off the heating and telephone
I am circumcised if
They would try to cut me and as
Here the rights of man is to pay huge sums
They rabies kainfrs What allowances and not a single woman
Small said it's OK without worry prof guy is
Tray will as soon as the elevator will own
Brahim tells me there's no school y 'Eid, and there he told me:
Wallah where we live is not a life
I ask his age, he lies, it tells me sixteen
Mets this piece if he asks where these people live


Chorus is the tower 20 is where I come
is where it has a lot of niggaz, listen well is the
turn 20, this is where I come
is where there are plenty of rabza Watch this
is the tower 20 is where I am is where
y 'dog people
is the tower 20 is where I come
Here where there 's plenty of stories, plays well

The lady of any pupil only his two kid Sharif
The daron did it to me I get down on tobacco
below y' And the blonde's southern accent, she feels she is on
Gonna do I style him get off the sugar
Every day she listens to the bottom "Zim Zimmer
She says she likes the tower will be seen from within six months
Nothing to do, believe me a hell J'vis
wooden cross iron cross, brother and if a firm j'mens j'fais
I have no money but j'fais c ' qu'y'a
I spend way to a room in Baku, it reminds me of my small but with less Brothers keeper
s'fout us we rouspétons
He does not like small black but he has nothing against a little red this context
The tower 20 is my corner, good people who sometimes time to weep and marrent
Why not make a beam-mor Etienne Mandjack, Camer 'home is Africa
The problem I found was that we
Stuck in the tower 20 is weird is dirty, messy but
brothel is our home.


Chorus is the tower 20 is where I am is where
Legionnaires 'y', listen carefully
is the tower 20 is where I just
is where the text is born, you many t'doutes
is the tower 20 is where I come
That's where the beer down, it flows well
is the tower 20 is where I come
y 'is where people get nothing
dog that is the tower 20 is where I come
is where the elevator stinks, listen carefully
is the tower 20 is where I come
is where we get out more, listen well is the
turn 20, it's where I come
is where there are plenty of niggas, listen well is
Tower 20 is where I come
y 'is where people dog, listens well

Friday, February 11, 2011

Moyne Laskoviy I Nezhnyy Zver

Artistippe or the Court by Mr. de Balzac (1658). First edition of Jean Elzevir and most beautiful. Bound in morocco the mid-nineteenth century



Jean-Louis Guez de Balzac

Aristippus OR THE COURT BY MONSIEUR DE BALZAC.

In Leiden, at Jean Elzevir, 1658

1 volume in-12 (130 x 75 mm - Height of margins: 125 mm) 272 - (24) pages. Engraved frontispiece etching (unsigned).

full brown morocco binding Jansenist, author, title and back vintage gold, double gold thread on the cuts, set of wheels in gold interior trim plates, liners and guards of marbled paper, gilt edges (binding the mid-nineteenth century, unsigned, although a perfect performance). Copy in mint condition, perfectly preserved. Paper immaculate. Very nice impression.


FIRST EDITION OF JOHN ELZEVIR of Leiden.

There are two editions of this text under date of 1658 in the same format, and bibliographers agree to recognize it, in 272 pages, as the most beautiful. It is preceded by a beautiful engraved frontispiece. This is the first edition of Elzevir given by John Leyden. Contrary to what we read here and there in the bibliographies, this little volume is well printed, and on nice paper.

The Aristippus of Guez de Balzac is considered his masterpiece. It "is more polished and less swelling" his other works. It is divided into seven speeches made by a character who embodies the ideal of the honest man.

References: Berard, Essays on Literature Elzevirs editions of the most valuable, etc.., P. 138; Willems 814; Pieters 173-176.

BEL COPY TO FULLY PREPARED morocco mid-nineteenth century.

Price: 1,000 euros

Thursday, February 10, 2011

Tiredness More Condition_symptoms

History of the abbey church of Saint Etienne Claude Fyot Dijon (1696). A rare and monumental history of this important abbey Dijon.



Fyot Abbot Claude (La Marche)

HISTORY OF THE CHURCH AND ABBEY COLLEGE OF SAINT ETIENNE, DIJON. With the evidence and the benefits dependent Pouillé this abbey.

In Dijon, Jean Ressayre, printer and bookseller to the King, 1696.

a folio volume (34 x 24 cm) (20) -330 - (12) and 371 pages for evidence. Binding

full brown calf, spine gilt decorated with small irons (contemporary binding). Accident upper back with a crack in the upper jaw of a few centimeters, traces of water and bites to the top of the front cover, some stains to the title which has been glued on the margins, small repair on top of title affecting the letter "H" "History", some minor foxing clear. Caps and corners worn, binding solid and decorative anyway. Although full of beautiful engraved map of the city of Dijon on double-page, according to The Pautre.


EDITION RARE.

This monumental history, the most important thing we have on this monument, is filled with solid research and curious about the antiquities of the city of Dijon. He used, for the composition of this work, the father of lights Andre Saint-Nicolas, former provincial of the Carmelites of the Province, religious skilled in knowledge of antiquity, and very informed of what looks discipline of the church history and canon law. Fyot Claude de la Marche was born in Dijon in 1630 and was the abbot of the abbey in 1672. To him we owe the restoration of this church in its functions. He died in 1721 aged 91. (See Butterfly, Library of the authors of Burgundy, p. 233-234).


VERY GOOD CONDITION IN TIMES OF THIS RARE BOOK. (some small restaurants to provide for a nice copy).

Price: 1,500 euros

Patricia Lavidad Fotos

The description and particulars of the duchy of Burgundy by Courtépée and Béguillet (1847-1848). Second edition, fine copy.



Courtépée and BÉGUILLET

DESCRIPTION GENERAL AND SPECIAL The duchy of Burgundy preceded by the short history of this province, Mr. Courtépée, priest, and Mr. Béguillet, notary of the province. Second, expanded edition of memoirs and various parts.

in Dijon and at Victor Lagier Décailly, 1847-1848. [Dijon printing Frantin].

4 forts volumes in-8 (22.5 x 15 cm)-XXXIV (1) -452, (4) -604, (4) -640 and (4) -788 pages. Binding

half brown sheepskin, back with false bands, with gilt and black, author, title and volume numbers walleye (contemporary binding). Collated complete. Maps and folding plates. Some spots including first and last leaves, very fresh copy, binding very well preserved and well crafted.


SECOND EDITION IN ORIGINAL PART.

Second and best edition of this book for anyone interested in local history in Burgundy. There is much information on rare and curious history of the villages of Burgundy. Even today this book may be consulted with profit.

Quite complete the 3 folding maps and plans of the 2 large folders of Dijon (one of Edward Bredin from 1574 to the cavalier and Le Pautre drawn in 1696). The first edition, published in the late eighteenth century by Abbot Courtépée, tare is complete in 7 volumes (published over a long period) and much less complete. Here we find the version of the Abstract Courtépée history (which is published twice that time), the Burgundian Questions ... Mr. Roget, Baron Belloguet; the records of Father Richard, the memoirs of Canon Chenevet on the origin of Dijon.

Well printed on fine vellum slightly tinted, our copy has some foxing as is often the first and last pages, as well as slices, but not serious. All are finely connected at the time and very fresh. Condition is quite rare for this book already unusual.

COPY OF THIS BEAUTIFUL WORK OF REFERENCE ON THE BOURGOGNE.

Price: 1,250 euros

Travel Girsl Commercials

Annals of Burgundy William of Paradin (1566). Important book, a rare and sought after. Copy of the lawyer Burgundian Blaise Parise. The illustrious



Paradin of William of Cuyseaulx

ANNALS OF BURGUNDY by Guillaume de Paradin of Cuiseaulx. With a table of memorable things contained in this volume.

At Lyons, by Antoine Gryphius, 1566.

1 high-volume folio (33 x 22.5 cm) X-(2) -995 - (28) pages. Title printed in a frame carved architectural laminated in the manner of Canivet (see below), coat of arms on the back of Privilege. Binding

full brown calf, spine richly decorated with small golden horseshoes, sprinkled edges (Binding of the second half of the seventeenth century). Binding very well preserved, snagging on the end caps and corners, some minor rubbing. Fresh interior, few minor stains. Two layers with a small hole and lost a few letters (reproduced by a copy of the text made on the same edition). The errata sheet with the mark on the back of the printer is missing (was not connected at the time). Numerous small initials storied. Very nice impression Lyon.


EDITION AND EXCLUSIVE EDITION

"RARE AND SOUGHT" .


"This story begins in the year 378 and ends at 1482. According to St. Julien de Ballers, Mixtures, page 304,". It's a very good volume, which is so useful, as having, we can dispense with Froissart Monstrelet, Olivier 4th Walk, and other such historians. "The Annals of Paradin still hold their place in large libraries, but we do not consult more since the books were more complete and accurate Burgundy." (Extract from the Study of historians Lyonnais Lyon, Sauvignet, 1839, p. 44.)

Techener Jacques-Joseph, in his Bibliographic Description of selected books in all genres (Paris, 1855, No. 5404), indicates that this is a book "rare and sought after.


This monumental book and very well printed by Antoine Gryphe Lyon, is a lover of books must have for the history of Burgundy.

Provenance: Our copy belonged to Blaise Parise, a lawyer at the Parliament of Burgundy, with his name on the title. It is for him as the volume was bound in the second half of the seventeenth century. Parise Blaise died in Dijon in 1705 aged 70 (born 1635), he has published papers on the Burgundian customary law.

The title of this volume was reconstructed in 1670 curiously identical to the original frame and a history of the sixteenth century was glued on the title sheet of letterpress, in the manner of Canivet (cropped at the top ). Some old handwritten notes.

Reference: Harness VIII, 345.

BEL COPY OF THIS BOOK FOR IMPORTANT HISTORY OF BURGUNDY.

COPY OF COUNSEL BOURGUIGNON BLAISE PARIS (1635-1705).

Price: 3,500 euros

Thursday, February 3, 2011

Stream South Park Fish

Jaquemart Peignot by Gabriel (1832). One of very few copies on pink paper. Beautiful copy in morocco Koehler.



PEIGNOT Gabriel (under the pseudonym P. BERIGAL)

ILLUSTRATED Jaquemart OF DIJON. Details historical, informative and fun to this high character, residing outdoors in this charming city since 1382, published with his permission, in 1832, the whole composed of bits and pieces, both old and modern French, in patois bourguignon; intercut with curious notes, and adorned with the representation of the hero and his family, disfigured from nature, and their collocated in high dungeon skeleton. P. Bérigal.

At Dijon, in V. Lagier, bookseller, place Saint-Etienne, December 1832. [Dijon. Printing Frantin].

1 volume in-8 (21.5 x 13.5 cm) XVI-91 pages. Lithographed frontispiece "The family Jacmart on the tower of the church Notre Dame in Dijon.

Binding crushed dark green full morocco, smooth spine in length, gilt title, gilt decoration net coaching dishes with spandrels azure, golden arms on covers, interior trim in gold lace dishes, double gilt fillet on the cuts, trimmed, gilded head, liners and guards Paper reed (contemporary binding signed KOEHLER ). Superb copy in excellent condition.


FIRED EDITION TO 250 COPIES S.


SAME ONE OF VERY FEW COPIES PRINTED ON PINK PAPER (2 or 3 copies only, unjustified). Common to all copies on plain paper, lithography and the form of title are printed on white paper, which is normal.

This joke begins with a note on the curious clocks, and gives the history of the Dijon, which contains Jacquemart, with the story of his translation of Kortrijk in 1382 and details of his restorations: the parts made in Burgundy his honor, etc..

We know that the Burgundian scholar was an avid bibliophile, author of the Manuel du Bibliophile, the first attempt in the genre literature intended for bibliophiles (1823), it was learned from his books a few copies of choices or on colored paper (often pink paper), or vellum. The latter, on pink paper, has undoubtedly been provided by the author to some friend of his entourage.

Magnificent binding Koehler, a former worker Thouvenin, who made his first exhibition in 1834 where he won the silver medal. He was recognized for the talent he brought to the implementation of short irons and ornaments ... "Mr. Koehler bindings are among the finest in Europe ... that we know well from the beginning he has no superiors." (Minutes of exposure to 1834). It was the favorite of Charles Nodier bookbinder. Its activity seems to have stopped to 1849. This binder is his first production to 1833-1835. The arms were later pushed on the binding, about 1870-1880?

A reference in pencil, no doubt from the late nineteenth century, says, "any scarcity. 300 -"

Provenance: This copy of the library of Count Mark Vesvrotte with his ex libris heraldic engraved, gold and weapons on the dishes (circa 1880?). Marc Vesvrotte was a distinguished bibliophile bouguignon the second half of the nineteenth century. He possessed unique books. He owned the Castle Beire-le-Chatel, located a few kilometers northeast of Dijon.

References: Milsand, Burgundy Bibliography, p. 369; Simonnet, Essay on Peignot Gabriel and his works; Vicar, Manual book lover nineteenth century, Volume VI, col. 480 (which does not signal a pink paper). We were able to identify at least two copies on pink paper in half-leather, library MJLA Coste, No. 2357 (Paris, Potier, 1854) and the patois of the library of Mr. Burgaud Marets, 1873, No. 542 (descriptive but the invitation to believe that this is the same as the previous); QuÚrard, trickery I, 117; Pierre Deschamps, Biographical and bibliographical Gabriel Peignot, No. 68.


SUPERB COPY PERFECTLY PREPARED TO TIME BY KOEHLER, FOR ONE OF THE MOST DISTINGUISHED AND MORE BINDER OF HIS TIME.

ANY RARITY ON PAPER ROSE.

Price: 2,500 euros

Diagram Of Ingrown Hair

The Bachelor of Salamanca by Le Sage (1736-1738). First edition bound in calf at the time. Nice copy of this picaresque novel.



Alain-René Le Sage, or Lesage

THE BACHELOR OF SALAMANCA OR BRIEFS D. CHERUBIN THE RONDA , taken from a English manuscript, by Mr. Le Sage. Volume first.

In Paris, street in the old buckles (Ie beef), near the Pont S. Michel. In Valleyres son, Gissey, 1736 . [Printing G. Valleyres Street in the old buckles].

THE BACHELOR OF SALAMANCA OR BRIEFS D. CHERUBIN THE RONDA , taken from a English manuscript, by Mr. Le Sage. Second volume.

The Hague, at Pierre Gosse, 1738.

2 volumes small 8vo (17.5 x 10.5 cm) (8) -378 - (5) and (2) -380 - (4) pages. 3 figures and a frontispiece inset in Volume 3 figures in the first and second volume.

granite brown full calf binding, spine Jansenist parts of title and tan morocco labels (contemporary binding). Binding very well preserved, a small chip at the tip of the cap top of the first volume, some corners slightly rubbed, fresh interior.


EDITION IN ORIGINAL PART.

Jules Le Petit accurately describes this original edition "complicated" in its "bibliography of first editions of major French writers etc.. " (1888), pp. 489-490.

This book was published in two parts, the first volume appeared in 1736 and only the second in 1738. The first volume of our copy is the second printing (1738) with the modified title "first volume" but with the date 1736. The second volume is in original edition as described by Le Petit. Note however that the placement of the engravings in this second volume is different from that given by Le Petit.


This book is quite rare in good condition then, as is the case here.

"The Bachelor of Salamanca, meanwhile, suffered a" bad reputation ": the thesis plagiarism and that of a depletion of inspiration has obscured the originality of this novel, which, admittedly, s registrant in the picaresque vein but can also play with Codes novel Memoirs as the expectations of the reader. Based on historical abundant and accurate, the novel is also a reflection on social mobility and individual freedom, in a tone that knows how to stay constantly pleasant. " (Lesage, Complete Works, Presentation, Volume 8, Paris, H . Champion, 2010).

BEAUTIFUL COPY, VERY CLEAN IN HIS FIRST IN CALF BINDING.

Price: 1,500 euros

Wednesday, February 2, 2011

Red Eye More Condition_symptoms

The very rare first edition of the Poems of Aceilly Knight (1667). Bound in morocco in imitation perfect (Roger Devauchelle?). Rarity.



Knight Cailly On or ACEILLY

OTHER SMALL POEMS KNIGHT OF ACEILLY.

In Paris, printed by Andrew Cramoisy, 1667. And give themselves to the palace.

a small volume in-12 (155 x 90 mm - Height of margins: 149 mm) (12) -228 pages. Binding

old red full morocco, spine decorated with small gold chains, triple-net gilded frame plates, golden wheel on turns, caster gilded interior trim plates, linings and comb guard paper, gilt edges ( modern binding in perfect imitation of old bindings of the late seventeenth century or the first half of the eighteenth century - it is likely that this excellent imitation binding invoice so workshops Roger DEVAUCHELLE ). Bound in perfect condition. Copy and réencollé probably washed some old handwritten notes faded. The sheet title is shorter than 3 mm in lower margin. Very cool.


DRAW FIRST EDITION AND VERY RARE.

Here is the note of Charles Nodier about this edition of the Poems of Sir Aceilly: "Why the original edition of these poems is charming it the rarest of our small volume classic? Here is the little known reason . Cailly Knight, who had many such in the portfolio, and I sincerely regret, wrote the first volume in the frontispiece, and nothing could be more fatal to the beginning of a book at the bottom of the frontispiece, he wrote to give the Palace, and the public took this gift at the foot of the letter. They refused to pay what gave himself. Informed of his mistake by the failure of the sale, the author tried to repair by another. He lacerated the frontispiece, and fell to the old edition dishonored paper. She was pulled from oblivion by the Monnoye. Forty years of research only made me see that five copies, two with frontispiece and three that did not matter. I had never met the original edition when I gave mine. " (this note autograph Nodier Charles was at the top of his copy, which then passed into the library of Aimé Martin (eg connected maroqin Niédrée Green, 1847). It was Charles who resurrected Nodier his poetry by giving an edition in 1825 (Paris, Delangle).

Gilles Menage, meanwhile, gives a different explanation on the dissemination of this edition: "Mr. Knight Cailly, which is an anagram of Aceilly does not want his bookstore sells his Poems. He did present himself to people he knew (...)" (Ménagiana, Volume III).

"Jacques Cailly, Knight of the Order of St. Michael, better known by the name of the anagrammatic Aceilly, was born in Orleans in 1604. He died in 1673. His nobility was not very old (... ) The jokes of this poet, sometimes a bit bright, are felt to this debauchery of mind that all ages have allowed conventional, but they are never obscene. Finally, if attacking the ridiculous with some bitterness, he Household's less people, and tradition has no memory attached to his portraits. To him we should perhaps have refined this kind of poetry where Regnier SIGOGNE and Theophilus, had bid on the impudence of Martial. It is therefore likely that the pseudonym of fake Aceilly is a decorum of modesty. (...)" (Charles Nodier Preface to the 1825 edition, Paris, Delangle).

This first edition, very rare, contains a large number of epigrams. The volume is dedicated to the great Colbert.

The binding is a perfect imitation, old morocco, binding at the time, some evidence suggests (without certainty) that it leaves the workshop Roger Devauchelle, who did not disdain to make this type of pastiche " perfect.

Provenance: signature repeated on several layers of the first possessor " Dubois (signature faded). Buffer typographical nineteenth century " Prost-Lacuzon .


morocco BEAUTIFUL COPY IN PERFECT IMITATION OF BINDING OF TIME.

Price: 3,000 euros

Enlarged Heart More Condition_symptoms

From gold hands (Saya)



Send
How wonderful to find
What has always sought
When we think others are unaware
While they might have a chance
But must remember
That nothing is a foregone
alliances are dying
If gap is too big
This ring that binds you to its present
Dated live a little longer

You have gold in the hands
On your way
thousand and one needs
But do not go too far From
gold hands
That you could finally
Making a good morning
she could be away

Failing to take you in hand
If you think you have time
From miss his love, care
because the walls will certainly
Play
For lovers betray all those who
emptied of their blood
The ring that binds you to its present
Dated live a little longer

medals all have a side setback
heart and hand A stone
you to choose which is your cue
The reasons that force you to flee
force you to lie to you Who Are the

same reasons that have always make you suffer

From gold
Between your hands
Gold, gold
But do not go too far, did not go too far

Epiphone Casino For Sale

For children around the world (Yves Duteil)








Send
For children worldwide
Who have no hope
I have a prayer Every
Masters Earth

Every child who disappears
C ' is the universe that draws a line
On a hope for the future that we can belong


I have seen children go
Smiling Towards a light heart and
death and paradise
That adults had promised

But when they jumped on mines
Mozart was being murdered
If happiness is the price
What hell did he fed?

And how will he pay
In silence and darkness
To erase memories in
The memory of their history?

What will, what gospel
What hand blind or stupid
may condemn many innocent
In so many tears and suffering?

fear, hatred and violence
set fire to their childhood
Their paths are bristling
Misery and barbed

Can we convince a dictator
To listen to her heart beat a little?
Can a president like crying
it also from time to time?

For children worldwide
Who did that voice to cry
I have a prayer Every
Masters Earth

In your sleep sleeping pills
Where you sleep with open eyes blow to Leave

a moment of magic to your hearts children

Since it is known around the world
Making peace for a few seconds
On behalf of Father Christmas and
That truce is eternal

keep quiet forever the bitterness And it soothes
in hearts
Revenge and cruelty
End of Eternity

I have not a shadow of a power
But my heart is filled with songs of hope
And for today
What are hymns to life

And ghettos, slums
From the heart of the century of exile
are voices a across
Who are the people sing standing

You can close your borders
Block your harbors and rivers
But the songs are traveling on foot
Secretly in hearts closed

It is mothers who teach their children
taking them over, they will eventually burst

Under the sky of freedom

For children worldwide

Nord Este's Shannie Of Kodiak Pedigree

I Realize (Sinik feat James Blunt) I want



Send
I understood As the years pass quickly is worrisome AC
I realize that 7 years would Kelissa September 20
Every day men self-destruct with ax
And to escape the strongest cross the seas in
swimming I saw the gap between beauty and the beast Here
war on potato but the trouble is the Belle
In the street, you know the crimes benefit men
In 10 years, the Kilo diamond (diamond) is the price of kilo of apples
I realized later that I regret penalizes
And it hurts when I realize that so few dreams come true.
not my point, which slows their justice
That France is not so beautiful, my history teacher lied
That in life to make peace is not profitable
I realized that doing Peace is the nightmare of walking
weapons
I realized the night of car chases in the city
But fear not because death is a continuation of life.

{Refrain:} And I'll take Everything
,
I would take everything to take
The joys and tears, (Mmm, mmm, mmm)
In This Life, in this life, I'll join everyone
, w hen I die

Ooh, thesis feet carry me far
Oh, my body, oh so
tired Mouth is dry Hardly speak

Holy Spirit rise in me Here I swear

Forever Is Just a minute

to me {Refrain:} And I'll take Everything
,
I would take everything to take
The joys and tears, (Mmm, mmm, mmm)
In This Life, in this life, I'll join
everyone, When I Die

I understood what was or was not evil in our ZUP
What cars that caught fire did not fit into your
That all polls friends dying days of the dungeon
How certain are desperate to get a hot meal
I understood that human beings does nothing but bleed
That in life is to hurt easier than s love
What the neighbors is not "Girls next door"
That in the country of human rights of families live in hotel
included the weight of words, sometimes life fucks the cockroach
thieves are caught, but the rapists BAFA
That in life I always felt this gene
At what point I had serious trouble to say I love you I love those

{Refrain :} And I'll take
Everything, I'd take
anything to take
The joys and tears, (Mmm, mmm, mmm)
In This Life, in this life, I'll join everyone
...

Oh, and Understand
'Cause all men die (' cause all men die)
'Cause all men die (' cause all men die)

Rentin Gods Hand 1998 Shane

(Zaz)



Geffroy Isabella, was born at Tours 1 May 1980. She is a French singer known by the nickname Zaz, mixing jazzy styles, French variety, soul and acoustic. His career began in
province where she participated in many local projects and groups, jazz, rap, orchestra. In 2006, Zaz went to Paris to sing in taverns and streets of the capital, before meeting the producer Kerredine Soltani who sought a new artist with a voice "hoarse broken a bit." He launched his career and truly opens the doors of production houses. Zaz
Meanwhile, with his voice vaguely reminiscent of Edith Piaf, turns in the network of French alliances in interpreting the classics of French chanson. Finally in 2010 released his first solo album "ZAZ" with the title "I want" which is a public success.
Website





Send
Give me a suite at the Ritz, I do not want it!
Jewelry from Chanel, I do not want it!
Give me a limo, I'd do what? papalapapapala
Give me the staff, I would do what?
A mansion in Neuchatel, it is not for me.
Give me the Eiffel Tower, I'd do what? papalapapapala

Chorus: I want to
Nuit, of joy, good humor, it's not your money f'ra my happiness, i want to die I hand on heart, papalapapapala
Come discover all my freedom, so forget all your shots, welcome to my reality.

I'm tired of your good manners is too much for me!
I eat with your hands and I'm like that!
talkin loud and I'm honest, I'm sorry! Gone are the hypocrisy
j'me me break away!
I'm tired of waffling!
Look at me, anyway j'vous no grudge and I'm like çaaaaaaa ('m like CAAA) papalapapapala

Chorus x3: I Want to
Nuit, of joy, good mood This is not your money f'ra my happiness, i want to die I hand on heart papalapapapala
Come discover all my freedom, so forget all your shots, welcome to my reality!

Monday, January 31, 2011

Gall Bladder Disease More Condition_symptoms

The Complete Works of Crebillon father (1674-1762). Beautiful illustrated edition by Marillier (1785). Contemporary binding.



Prosper Jolyot Crebillon

Complete Works of CREBILLON , New Edition, Augmented & decorated with beautiful engravings.

In Paris, in bookstores associates, 1785. [Printing of Clousier].

3 volumes 8vo (20.5 x 13 cm) (6)-LXXVI-285, (4) -375 and (8) -333 pages. 1 portrait frontispiece of the author after De La Tour and engraved by Marillier and 9 Ingouf very beautiful etchings with the letter from the drawings engraved by Ingouf Marillier, Dambrun, Duponchel, etc..

full calf binding with marbled fawn acid, back short irons to smooth decorated gilt title piece of red morocco, part green morocco labels, gilt triple fillet coaching plates, liners, guards and marbled edges ( Binding of the time). Copy in excellent condition conservation, very fresh, some minor light rubbing, interior very white, very nice drawing prints.


NEW EDITION.

Crebillon father (1674-1762), a worthy child of Burgundy Belles-Lettres, was the author tragic fashion of the moment, between the death of Racine in 1699 and parts of Voltaire. After Idomeneo, Crebillon gave Atreus and Thyestes in 1707, remarkable work, one of the best known of the author, Elektra in 1708, and Zenobia Rhadamistus in 1711, which won a great success and went to his masterpiece, Xerxes in 1714, Semiramis in 1717. The last two pieces were received coldly, Xerxes had a single representation and Semiramis, only seven Crebillon conceived a deep despair and gave up the theater. Having lost his father, who died insolvent, then he struggled in money difficulties, the result of his extravagance, his carelessness, his taste for independence and the pleasures and his tendency to daydream. He lost his wife (1711), could not find the help he expected from his friends, and threw himself into misanthropy. He lived in an attic, surrounded by dogs, cats and crows, smoking incessantly and not seeing his son. In this solitude, he was busy composing in his head because he had an excellent memory, he neglected novels then down on paper. It was also the same for his tragedies, he composed in his head and wrote until the last moment. In 1726, Crebillon successfully gave a new tragedy, Pyrrhus (1726), which again called attention to himself. He was elected to the French Academy in 1731 and the Academy of Rouen in 1754. This innovation in the form by calling his acceptance speech into poetry. We kept the worms, which was warmly applauded as he seemed sincere, "No malice was never poisoned my pen. In 1733 he was appointed royal censor library for belles-lettres and history, and in 1735 royal censor performances. In 1745, Madame de Pompadour award him a pension of 1,000 pounds and a place of librarian of the king. These favors were primarily to raise a rival to Voltaire, who had displeased by launching gallant poems celebrating the love of Louis XV and the favorite, and whose reputation rested primarily on its then tragedies. Opponents of Voltaire Crebillon urged to give new tragedies. Ultimately, he finished and did represent his Catiline (1748), with great magnificence. The cabala in assuring success for 20 performances, but it did not last when the piece was printed, especially not when Voltaire had represented his Rome saved on the same subject. In 1754, the latest tragedy Crebillon, The Triumvirate, was received coldly. At his death in 1762, he left a draft Cromwell. Actors in Paris organized in his honor attended by a funeral service, with members of the Academy and many writers, many actors and actresses, the scandal of the Church.

The theater Crebillon holds an important place in literary history, both by its own value and the discussions which he has been. At a time when writers sought to imitate slavishly tragedies Jean Racine, like the Baron of Longepierre Hilaire, which is interesting to compare the tragedy Electra, founded in 1702, part of Crebillon given a few years later the same subject, with parts Crebillon innovation based less on psychology as a kind of "tragic situation" of a sudden horror, reconnaissance and other shots Theatre announcing the melodrama of the nineteenth century. "I like even better," he writes in the preface Rhadamistus and Zenobia, have loaded about my episodes of declamation. "The pieces include scenes of Crebillon striking, and to hit well, energetic, many of which are spent in maxims. But they also have serious drawbacks: the intrigues often very complicated, difficult to follow, and sometimes incorrect versification, often lax, style, hard hitting, sometimes obscure. Crebillon wrote quickly and with little care. It was incredibly easy: the story he remade in twenty-four hours while the last act of Idomeneo, which on opening night, did not please the public. The elegance was not his concern, and mythological and historical culture is often faulted.

Crebillon wrote d'Alembert showed human perversity in all its atrocity [...] He felt fulfilled by this means one of two major items that the Greeks regarded as the goal of tragedy, terror [. ..] This general purpose and unique pieces Crebillon gives them a dark color tone in which they all look like [...] They are still the means by which the author uses to produce theatrical situations, especially the recognition are those for whom it is most often used, but at least do him the justice to confess that he was the happiest use [...] Crebillon little as worms happy, but to what we remember in spite of themselves, to a character as original as proud, worms finally belonging to him, and whose harshness male expresses, so to speak, the physiognomy of the author. If the details of versification does not suffer from it the scrutiny, if the reading of his plays is rugged and difficult, the energy of its characters and the strong colors of his paintings always produce a large effect on the stage. But his characters lack depth and life, making his tragedies assembly strange energy and blandness, atrocities and inconsistency. (Source Wikipedia - compilation of authors cited)

This edition contains Volume 1: Crébilllon praised (by d'Alembert), ode on the death of Crebillon epistle to the King, foreword by the author, Idomeneo, Atreus & Thyestes, Electra. Volume 2: Rhadamisthe & Zenobia, Xerxes, Semiramis Pyrrhus. Volume 3: Catiline Catiline scene and found in the papers of Mr. Crebillon, Triumvirate, academic discourse, eulogy of Marshal Villars, to M. de Fontenelle, compliment to the King to the King, written by various authors and epitaph Mr. Crebillon.

The prints of drawings by Marillier are "real caricatures" of the ancient tragedy. The features of the faces of the characters show the horror and amazement. They are very expressive.

Citation: Cohen, col. 264 (ed. 1912).

COPY IN NICE CONDITION FOR THE AGE.

Price: EUR 500

Tuesday, January 25, 2011

Sun Poisoning More Condition_symptoms

travel by the Orient by Gérard de Nerval (1851). Superb copy in contemporary binding. Rare in this condition.



Nerval (Gérard LABRUNE, "said Gerard de)

TRAVEL EAST by Gerard de Nerval. Third edition, revised, corrected and augmented. Volume first and second (full).

Paris, Charpentier, bookseller and publisher, 1851. [Printing Gustave Gratiot].

2 volumes bound in a high volume 18mo (183 x 125 mm) (4) -396 and (4) -396 pages. The introductory pages to "a friend" of the first volume is encrypted Roman (I-LXXXVI) and Total included in the pagination. Binding

half grief dark green back with false-tooled raised fillets cold frame boxes, gilded beaded nets, author titled in Gothic characters, title gilt stamped paper dishes cold geometric patterns and foliage, marbled endpapers (contemporary binding). Some foxing to the first and last layers (low) and three more books singed in Volume II (pages 253-288). Perfect conservation of the binding. Very cool.

FIRST EDITION IN THIS TITLE, AND PART OF THE ORIGINAL PUBLISHED FULLER LIFE Gerard de Nerval.

"The Making of Voyage en Orient by Gérard de Nerval is long and complex. The author brings over ten years writing the book, since the route from Paris to Geneva, published in La Presse on January 18, 1840, until the final version of 1851. The story refers to the Vienna Travel 1839-1840, while the Greek side appeared in L'Artiste in 1844, following the wanderings of Nerval in the Levant in 1843. La Revue des Deux Mondes published four travel narratives in Egypt in 1846 and four in Lebanon in 1847. Just after the trial began Nerval grouping and the first result to be published soon at the end of 1847 or early 1848: Scenes of Life Oriental - The Women of Cairo. This book consists of introduction into the Greek islands and travelogue in Cairo until the arrival in Beirut. The Revolution of 1848 had to delay the publication of Volume II, which recounts the visit to Lebanon. The second test summary occupies the entire year 1849. The Silhouette publishes a series of trips Nerval under the general title of "Al-Kahira. Memories of the East "between January 7, 1849 and January 27, 1850; here that connects Nerval route from Paris to Vienna to travel in the East. The story seems to stay in Constantinople in 1850 in The National from March 7. The final title of Journey to the East was adopted in 1851, the two volumes published by Charpentier containing the itinerary; from Paris to Alexandria in the introduction, and then stays in Egypt, Lebanon and Turkey. (...) Regarding the Scenes of Life East, we must also reckon with the mysteries surrounding the publication of the book, and Claude Michel Brix Pichois traced the complicated story. We know of three editors of this book: Ferdinand Sartorius, then Hippolyte Souverain, Victor finally Lecou. It is certain that Volume I of the Scenes of Life Oriental - The Women of Cairo appeared at Sartorius before the Revolution of 1848, while the second volume may have been printed after March 1848, but he seems to have been slow to appear until the last weeks of 1849 to publish Volume II, Sartorius has used the cover page and title of volume I, adding the number "2" between scenes of Oriental life and The Women of Cairo, and turning on the cover, the publication date of "MDCCCXLVIII" to "MDCCC L" scraping by "X" and the "VIII". In 1850, Sovereign acquired unsold copies of Sartorius and added a cover and title page news, the second volume is this time called Scenes de la Vie Eastern - Women of Lebanon. It seems that these two editions are sold poorly, against the "third edition" of travel in East by Charpentier in 1851. (...) " extract, literary history, New on the Journey to the Orient by Gérard de Nerval, No. 1-2000.

"Disappointed by his subject, the Orient, as far as the photographic tool, Nerval transgresses one of the first rules of Orientalist narrative: realism. This retreat from reality, by which he left his daguerreotype to other activities, is at the heart of the story ultimately published in 1851, which is the portrait of an East partly dreamed where Nerval is no longer the operator photographer, but only the disillusioned spectator of a phenomenon that accompanies the disappearance of the East in which he would have liked to travel. " extracted from the practice of the daguerreotype, BNF exposure.

26 January 1855, he was found hanging from the bars of a gate which closed a sewer of the Rue de la Vieille-Lanterne, in "the most sordid corner he could find" in Form Baudelaire. His friends speculated in a murder perpetrated by intruders during one of his usual walks in disreputable places, but has certainly committed suicide.

References: Clouzot, French bibliophile's Guide, p. 223: "A search on that date (1851) and in fresh binding period, which is not so easy" ; Literary Stories, New on the Journey to the Orient by Gérard de Nerval, No. 1000-2000 ; The addition of the East metadiegesis and meaning in the Voyage en Orient de Nerval by Guy Barthelemy (1996).

BEAUTIFUL COPY IN AN ELEGANT BINDING OF THE TIME, WELL KEPT, THIS IMPORTANT WORK BY THE AUTHOR of the most endearing CENACLE ROMANTIC (*).

SOLD

(*) this book is listed on the site to mark the anniversary of the death of Gerard de Nerval, Paris, January 26, 1855. He was found hanging from the bars of a sewer grate that closed the street from the Old Lantern, to "untie his soul in the darkest street he could find" in the words of Baudelaire.