Introduction
Feelings govern the world, it is no secret to anyone. And love is what will determine any relationship is one of the most present and most important. Goriot offers one interesting operation, because this is the problem of the story takes place. Notice that the word and its derivatives is present 214 times, including the word "love" combined 140 times. "Love in Paris is nothing like love to others," said Eugene de Rastignac. That assertion is enough to show the importance of this theme in the novel, and the need to study to understand the novel. Work operating focus, therefore we propose the types of love manifested in the novel, its role in the design of love in the 19th of the author and the writing of this theme.
I. The types of love
1. The filial
This will especially love that the characters who devote themselves to relationships. Love is the foundation of the family, no one can doubt, and this fact partly the fact that Father Goriot has always the word "love" to the lip. Indeed, Goriot's love for his daughters is legendary, because he lives only for and by that love. This paternal love is even, ultimately, bizarre, since the characters of the pension went up to believe that his girls were his girlfriends. Yet we may even suspect Goriot incest "repressed." So the narrator can tell that "The thoughtless devotion, love was touchy and delicate Goriot to his daughters was so well known." And also "He had given for twenty years, his bowels, his love." This love is permissive, forgiving all, as he causes exploitation, deception, cheating and betrayal. The love he bore his daughter is thus the cause of ruin, and worse father never returned the love he had offered.
Eugene is lucky, will he the same for her sisters? Anyway, they love, sincere to their brother, because she sacrifices money for him, for his happiness, to save his life. So they show him their love by the gesture but also through speech. In the letter Rastignac Lavra, one can declare: "Farewell, dear brother, never worn letter has made so many wishes for your happiness or love so much satisfied" and "Your loving sister, said her sister. In passing, we note that much love have for each other as the sisters of Eugene, Laure and Agathe, is constructive and harmonious, as one that links to Anastasia and her sister Delphine Restaud Nucingen is full of rivalry, animosity. The reason it is summarized in this passage: "Restaud birth, his wife was adopted, it was presented, but his sister, his rich sister, the beautiful Madame Delphine Nucingen, wife of a man of money, dying of grief; envy devours, it is a hundred leagues from his sister, his sister is no longer his sister and these two women as they deny them deny their father. Also, Ms. Nucingen laperait it all the mud there is between the Rue Saint-Lazare and the Rue de Grenelle to enter my room. "The price
being who loves you gives you appears in the word" dear "that accompanies the name of the person loved. So often measured sincerity of feeling. Laura says "dear brother" and the letter from his mother the following expressions structure the text: "My dear child," "My dear son," "dear child", "Farewell, dear child." And his cousin Viscountess of Beauseant Eugene found the assistance of a parent, and its recognition was quick: "My dear cousin," said Eugene, you've already well protected. "
Madame Couture brand as well as her love for her niece Victorine Taillefer. She told him in a burst of protection "- go back, my dear," said Madame Couture, those cases do not concern us "
This trick is used by Vautrin and Goriot in place to weave Rastignac an ambiguous relationship of paternal love. Vautrin providing advice to him said: "Virtue, my dear student, does not split."
In total, we can see that this love is most protective and constructive. What of carnal love?
2. The carnal love
This love is the foundation of the work, as long as it binds the characters that have no relationship. That love which leads to satisfaction of a lust, sensual. This love is too strong as long as it has to be happy and especially to satisfy a desire. And often when the desire is satisfied, that love tends to die causing the worst discomfort, despair and the worst, if not death. In Paris, the desire is aroused by the coquetry of women and not by love. The young provincial will then enter the world of passion and immediately judge the original beauty of Anastasia: "But for Rastignac, Ms. Anastasia Restaud was the desirable woman" and his description of women is worthy of the story of the Thousand Nights and suggests that it succumbs to the charm of Paris: "Eugene felt so fresh bloom of the hands of this woman without having to touch it. He saw through cashmere, pink shades of the bodice gown, slightly ajar, sometimes left bare, and on which his eyes stretched. The resources of the comb were useless to the Countess, scored only his waist size flexible neck called to love, his feet were in pretty slippers. "
In this regard, Eugene is not very different from Goriot, he had his moments of carnal love, and" His wife (...) was for him the object of religious admiration, a boundless love. Goriot had admired her as a nature frail and strong, sensitive and pretty, which contrasted strongly with his "
And Eugene has captured the essence, because he just discovered that is to say that" By owning the woman saw that Eugene had not until then that he wanted, he loved her at day of happiness: love is perhaps the recognition of pleasure. " This is the case with his girlfriend Delphine who "loved Rastignac much as Tantalus would have loved the angel would come to satisfy his hunger or thirst in his parched throat.
But once the first surge of happiness gone, he realized that his life will be like before, that is to say without worry: "There is now only one fear, one misfortune me is to lose the love that made me feel the pleasures of living. "
In the novel, that love has a special place, and it is causing strange behavior also that vicious.
3. Brotherly love
is understood in this part of friendship, camaraderie and even, whether temporary or permanent, neighborhood. The rarity of such love shows how people of Parisian society are selfish and interested. Such love is not found with the two students, Rastignac and his friend Dr. Bianchon. Just as he is concerned, that will give Bianchon Eugene. So he admits he and his concern: "- Well! Bianchon, I'm mad, heal me. I have two sisters who are angels of beauty, innocence, and I want them to be happy. Where to take two hundred thousand francs dowry for their next five years? . So the confession is of such sincerity that he repeats: "- Thanks, you made me good, Bianchon! we will always be friends "
Friendship is sought by all the characters who are around Rastignac. Goriot and Vautrin who think the only real feeling is "a friendship between man and man" and he said that once in America "I'll send cigars of friendship"
II. The role of love
1. Love and money
Love is often used to get money. The technique is summarized in the following quote: "One night, after some antics, you report, between two kisses, two hundred thousand francs in debt to your wife, saying:" My love! "This farce is played every days by the most distinguished young men. A young woman does not refuse his purse to him who takes his heart. . When Rastignac also said that he will succeed he speaks both love and money. Vautrin but warned: "You go flirt with some pretty woman and you will get money. You've thought! said Vautrin; because how can you, if you Do not expect your love? . What is remarkable in this society, there is almost impossible to have both. It's like running two rabbits at once. "Rastignac decided to open two parallel trenches to reach the property, based on science and love (...). He was still very childish! These two lines are asymptotes that can never meet. "
But he is a victim of the devil form of Vautrin who slyly in his ears and repeats the formula:" Gold and love waves! "
Money is thus the only way seems to please tell Delphine Rastignac: "If I feel fortunate to be rich, it is to please you. .
Love and money are so intertwined in this novel Victorine Taillefer "inherit the love and the fortune of her father at the same time, if his brother died, the brother who does not love .
2. Love and Marriage Marriage
which normally is the result of the bonds of love means suffering, despair, betrayal.
Both girls Goriot marriages are failures, and they suffer enormously. It is often a disappointment, a martyr, not a blessing. And even if the marriage early success, there is no chance in this town to be so forever. That's why Goriot is attacking the institution of marriage in these words: "Father, tell the House to pass a law on marriage! Finally, do not marry your daughters if you like. The son is a villain who spoils everything in a girl, it stains everything. More weddings! . He's right, because his daughter Delphine said she suffered in her marriage, violence and brutality, so she said: "Marriage is for me the most horrible disappointments. "
Marriage in Paris is often a contract, a commercial transaction and now "Out of sixty beautiful weddings that take place in Paris, there are forty-seven result in similar markets. "
3. Love, power domination
Love is like an "empire", it can control the other. "All the passions of men are certainly excited or maintained by either of these two causes, which divided the empire in love"
The narrator seems to say that feelings always end up becoming a means of domination, this what eludes the father Goriot, since his wife died before this point, explaining that his own daughters to be responsible for completing the work of their mother: "Goriot, unfortunately for him, lost his wife and she was beginning to take dominion over him , outside the sphere of feelings. "Anastasia
control her husband and withdrawn all his money, but she in turn is betrayed by her lover of Mr. Trailles who ruined her and her father:" We had to be madly in love, as was Restaud for having floured miss Anastasia. Oh! it will not be a good seller! It is in the hands of Monsieur de Trailles, whoever loses "
This power, Eugene wanted to have on Anastasia: "This woman obviously in love with Maxine, a woman, mistress of her husband, secretly linked to the old vermicelli, it seemed a mystery. He wanted to penetrate this mystery, hoping to reign supreme over this woman so eminently Parisian. "
III. Love in the 19th century
IV. Writing love
The novelist is loyal to his technique of realism. Indeed, to better see the reality, he often uses figures of speech, especially the comparison and metaphor. The theme of love is always present in these ways. "God is love," said the Christian religion, and Balzac did not deprive the word when he says "God loves the world, because the world is not as beautiful as God." From such a comparison "Love and the church want beautiful tablecloths on their altars," the narrator spins metaphor of religion by means of a lexical field of religion very abundant. Include this example: "By learning the secrets household of Mr. and Mrs. Nucingen, he found that, to convert the love into an instrument of fortune, he had been drinking all shame, and give to the noble ideas that are absolution mistakes of youth. " Sometimes when Eugene speaks of love that Father Goriot door to her daughters it seems that he speaks of the love that God, the Lord has for men. "Eugene could not hide the fact that the father's love, no personal interest dwarfed, crushed by his own persistence and its scope. The idol was still pure and beautiful for the father, and grew his adoration of all the past as the future. " And the narrator makes clear that love "is a religion, and worship must be more expensive than all other religions."
The technique of repetition which gives the novel looks like a romance is in the writing of Balzac. The novel is a kind of parody of the novel rose water, except that the outcome is far from that of real romance novels that always ends, as observed on ironical Vautrin Victorine he asked Eugene likes to watch over it "they were seen throughout the country, lived happily, and had many children. "Before adding" This is how eventually all the romance novels. "
Conclusion
love kills like poison. When, of course it is not reciprocal, or when it is not shared. Father Goriot died for his two daughters, but he has given some advice before going to Rastignac. "I had too much love for them that they had to for me," he said. One way for him to say that we must always keep some of his love for oneself. Also feels guilty he: "I alone am guilty, but guilty of love," because "money does not become something that when the feeling is gone. . Moreover, Rastignac himself has read something like this in the letter his mother wrote him and he was trembling with terror, it's love that he wears his mother. The vast philosophy that the characters of the novel had to understand was: "True love paying for bad love.
Feelings govern the world, it is no secret to anyone. And love is what will determine any relationship is one of the most present and most important. Goriot offers one interesting operation, because this is the problem of the story takes place. Notice that the word and its derivatives is present 214 times, including the word "love" combined 140 times. "Love in Paris is nothing like love to others," said Eugene de Rastignac. That assertion is enough to show the importance of this theme in the novel, and the need to study to understand the novel. Work operating focus, therefore we propose the types of love manifested in the novel, its role in the design of love in the 19th of the author and the writing of this theme.
I. The types of love
1. The filial
This will especially love that the characters who devote themselves to relationships. Love is the foundation of the family, no one can doubt, and this fact partly the fact that Father Goriot has always the word "love" to the lip. Indeed, Goriot's love for his daughters is legendary, because he lives only for and by that love. This paternal love is even, ultimately, bizarre, since the characters of the pension went up to believe that his girls were his girlfriends. Yet we may even suspect Goriot incest "repressed." So the narrator can tell that "The thoughtless devotion, love was touchy and delicate Goriot to his daughters was so well known." And also "He had given for twenty years, his bowels, his love." This love is permissive, forgiving all, as he causes exploitation, deception, cheating and betrayal. The love he bore his daughter is thus the cause of ruin, and worse father never returned the love he had offered.
Eugene is lucky, will he the same for her sisters? Anyway, they love, sincere to their brother, because she sacrifices money for him, for his happiness, to save his life. So they show him their love by the gesture but also through speech. In the letter Rastignac Lavra, one can declare: "Farewell, dear brother, never worn letter has made so many wishes for your happiness or love so much satisfied" and "Your loving sister, said her sister. In passing, we note that much love have for each other as the sisters of Eugene, Laure and Agathe, is constructive and harmonious, as one that links to Anastasia and her sister Delphine Restaud Nucingen is full of rivalry, animosity. The reason it is summarized in this passage: "Restaud birth, his wife was adopted, it was presented, but his sister, his rich sister, the beautiful Madame Delphine Nucingen, wife of a man of money, dying of grief; envy devours, it is a hundred leagues from his sister, his sister is no longer his sister and these two women as they deny them deny their father. Also, Ms. Nucingen laperait it all the mud there is between the Rue Saint-Lazare and the Rue de Grenelle to enter my room. "The price
being who loves you gives you appears in the word" dear "that accompanies the name of the person loved. So often measured sincerity of feeling. Laura says "dear brother" and the letter from his mother the following expressions structure the text: "My dear child," "My dear son," "dear child", "Farewell, dear child." And his cousin Viscountess of Beauseant Eugene found the assistance of a parent, and its recognition was quick: "My dear cousin," said Eugene, you've already well protected. "
Madame Couture brand as well as her love for her niece Victorine Taillefer. She told him in a burst of protection "- go back, my dear," said Madame Couture, those cases do not concern us "
This trick is used by Vautrin and Goriot in place to weave Rastignac an ambiguous relationship of paternal love. Vautrin providing advice to him said: "Virtue, my dear student, does not split."
In total, we can see that this love is most protective and constructive. What of carnal love?
2. The carnal love
This love is the foundation of the work, as long as it binds the characters that have no relationship. That love which leads to satisfaction of a lust, sensual. This love is too strong as long as it has to be happy and especially to satisfy a desire. And often when the desire is satisfied, that love tends to die causing the worst discomfort, despair and the worst, if not death. In Paris, the desire is aroused by the coquetry of women and not by love. The young provincial will then enter the world of passion and immediately judge the original beauty of Anastasia: "But for Rastignac, Ms. Anastasia Restaud was the desirable woman" and his description of women is worthy of the story of the Thousand Nights and suggests that it succumbs to the charm of Paris: "Eugene felt so fresh bloom of the hands of this woman without having to touch it. He saw through cashmere, pink shades of the bodice gown, slightly ajar, sometimes left bare, and on which his eyes stretched. The resources of the comb were useless to the Countess, scored only his waist size flexible neck called to love, his feet were in pretty slippers. "
In this regard, Eugene is not very different from Goriot, he had his moments of carnal love, and" His wife (...) was for him the object of religious admiration, a boundless love. Goriot had admired her as a nature frail and strong, sensitive and pretty, which contrasted strongly with his "
And Eugene has captured the essence, because he just discovered that is to say that" By owning the woman saw that Eugene had not until then that he wanted, he loved her at day of happiness: love is perhaps the recognition of pleasure. " This is the case with his girlfriend Delphine who "loved Rastignac much as Tantalus would have loved the angel would come to satisfy his hunger or thirst in his parched throat.
But once the first surge of happiness gone, he realized that his life will be like before, that is to say without worry: "There is now only one fear, one misfortune me is to lose the love that made me feel the pleasures of living. "
In the novel, that love has a special place, and it is causing strange behavior also that vicious.
3. Brotherly love
is understood in this part of friendship, camaraderie and even, whether temporary or permanent, neighborhood. The rarity of such love shows how people of Parisian society are selfish and interested. Such love is not found with the two students, Rastignac and his friend Dr. Bianchon. Just as he is concerned, that will give Bianchon Eugene. So he admits he and his concern: "- Well! Bianchon, I'm mad, heal me. I have two sisters who are angels of beauty, innocence, and I want them to be happy. Where to take two hundred thousand francs dowry for their next five years? . So the confession is of such sincerity that he repeats: "- Thanks, you made me good, Bianchon! we will always be friends "
Friendship is sought by all the characters who are around Rastignac. Goriot and Vautrin who think the only real feeling is "a friendship between man and man" and he said that once in America "I'll send cigars of friendship"
II. The role of love
1. Love and money
Love is often used to get money. The technique is summarized in the following quote: "One night, after some antics, you report, between two kisses, two hundred thousand francs in debt to your wife, saying:" My love! "This farce is played every days by the most distinguished young men. A young woman does not refuse his purse to him who takes his heart. . When Rastignac also said that he will succeed he speaks both love and money. Vautrin but warned: "You go flirt with some pretty woman and you will get money. You've thought! said Vautrin; because how can you, if you Do not expect your love? . What is remarkable in this society, there is almost impossible to have both. It's like running two rabbits at once. "Rastignac decided to open two parallel trenches to reach the property, based on science and love (...). He was still very childish! These two lines are asymptotes that can never meet. "
But he is a victim of the devil form of Vautrin who slyly in his ears and repeats the formula:" Gold and love waves! "
Money is thus the only way seems to please tell Delphine Rastignac: "If I feel fortunate to be rich, it is to please you. .
Love and money are so intertwined in this novel Victorine Taillefer "inherit the love and the fortune of her father at the same time, if his brother died, the brother who does not love .
2. Love and Marriage Marriage
which normally is the result of the bonds of love means suffering, despair, betrayal.
Both girls Goriot marriages are failures, and they suffer enormously. It is often a disappointment, a martyr, not a blessing. And even if the marriage early success, there is no chance in this town to be so forever. That's why Goriot is attacking the institution of marriage in these words: "Father, tell the House to pass a law on marriage! Finally, do not marry your daughters if you like. The son is a villain who spoils everything in a girl, it stains everything. More weddings! . He's right, because his daughter Delphine said she suffered in her marriage, violence and brutality, so she said: "Marriage is for me the most horrible disappointments. "
Marriage in Paris is often a contract, a commercial transaction and now "Out of sixty beautiful weddings that take place in Paris, there are forty-seven result in similar markets. "
3. Love, power domination
Love is like an "empire", it can control the other. "All the passions of men are certainly excited or maintained by either of these two causes, which divided the empire in love"
The narrator seems to say that feelings always end up becoming a means of domination, this what eludes the father Goriot, since his wife died before this point, explaining that his own daughters to be responsible for completing the work of their mother: "Goriot, unfortunately for him, lost his wife and she was beginning to take dominion over him , outside the sphere of feelings. "Anastasia
control her husband and withdrawn all his money, but she in turn is betrayed by her lover of Mr. Trailles who ruined her and her father:" We had to be madly in love, as was Restaud for having floured miss Anastasia. Oh! it will not be a good seller! It is in the hands of Monsieur de Trailles, whoever loses "
This power, Eugene wanted to have on Anastasia: "This woman obviously in love with Maxine, a woman, mistress of her husband, secretly linked to the old vermicelli, it seemed a mystery. He wanted to penetrate this mystery, hoping to reign supreme over this woman so eminently Parisian. "
III. Love in the 19th century
IV. Writing love
The novelist is loyal to his technique of realism. Indeed, to better see the reality, he often uses figures of speech, especially the comparison and metaphor. The theme of love is always present in these ways. "God is love," said the Christian religion, and Balzac did not deprive the word when he says "God loves the world, because the world is not as beautiful as God." From such a comparison "Love and the church want beautiful tablecloths on their altars," the narrator spins metaphor of religion by means of a lexical field of religion very abundant. Include this example: "By learning the secrets household of Mr. and Mrs. Nucingen, he found that, to convert the love into an instrument of fortune, he had been drinking all shame, and give to the noble ideas that are absolution mistakes of youth. " Sometimes when Eugene speaks of love that Father Goriot door to her daughters it seems that he speaks of the love that God, the Lord has for men. "Eugene could not hide the fact that the father's love, no personal interest dwarfed, crushed by his own persistence and its scope. The idol was still pure and beautiful for the father, and grew his adoration of all the past as the future. " And the narrator makes clear that love "is a religion, and worship must be more expensive than all other religions."
The technique of repetition which gives the novel looks like a romance is in the writing of Balzac. The novel is a kind of parody of the novel rose water, except that the outcome is far from that of real romance novels that always ends, as observed on ironical Vautrin Victorine he asked Eugene likes to watch over it "they were seen throughout the country, lived happily, and had many children. "Before adding" This is how eventually all the romance novels. "
Conclusion
love kills like poison. When, of course it is not reciprocal, or when it is not shared. Father Goriot died for his two daughters, but he has given some advice before going to Rastignac. "I had too much love for them that they had to for me," he said. One way for him to say that we must always keep some of his love for oneself. Also feels guilty he: "I alone am guilty, but guilty of love," because "money does not become something that when the feeling is gone. . Moreover, Rastignac himself has read something like this in the letter his mother wrote him and he was trembling with terror, it's love that he wears his mother. The vast philosophy that the characters of the novel had to understand was: "True love paying for bad love.
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